{"id":4352,"date":"2019-11-21T17:29:02","date_gmt":"2019-11-21T17:29:02","guid":{"rendered":"https:\/\/soniaperezolmedillo.com\/?p=4352"},"modified":"2026-07-04T21:29:55","modified_gmt":"2026-07-04T21:29:55","slug":"beteve-el-contrato-teatro-riada","status":"publish","type":"post","link":"https:\/\/soniaperezolmedillo.com\/index.php\/2019\/11\/21\/beteve-el-contrato-teatro-riada\/","title":{"rendered":"Teatro de la Riada rescata un text feminista in\u00e8dit dels anys 70 \/ \u00e0rtic. BETEV\u00c9."},"content":{"rendered":"<p>[vc_row][vc_column][vc_column_text]<span style=\"font-weight: 400;\">La companyia madrilenya recupera al Tantarantana &#8216;El contrato&#8217;, l&#8217;obra que Carmen Resino mai no va poder publicar.<\/span><\/p>\n<p>Jasica i Nora s\u00f3n dues dones que comparteixen apartament i una relaci\u00f3 no definida. Despr\u00e9s de molt temps, ha arribat el moment de\u00a0fer caure el mur\u00a0que les ha oprimit i obsessionat, per\u00f2 que tenen prohibit per contracte. Tot i el simbolisme amb qu\u00e8 Carmen Resino va vestir l\u2019argument d\u2019\u2018El contrato\u2019\u00a0el 1973, el text va ser arraconat en un calaix i mai no es va poder estrenar ni publicar. Han hagut de passar m\u00e9s de 40 anys perqu\u00e8 arrib\u00e9s a mans de les impulsores de Teatro de la Riada, una companyia madrilenya que va n\u00e9ixer amb el prop\u00f2sit de\u00a0rescatar obres invisibilitzades\u00a0de caire feminista escrites i protagonitzades per dones. La pr\u00f2pia autora els va lliurar l\u2019original mecanografiat, que encara conservava i que ara pren vida sobre l\u2019escenari del Teatre Tantarantana, sota la direcci\u00f3 de Mar\u00eda San Miguel i visuals d\u2019Isaki Lacuesta.[\/vc_column_text][vc_empty_space]<a itemprop=\"url\" href=\"https:\/\/beteve.cat\/artic\/el-contrato-teatro-riada\/\" target=\"_blank\" style=\"color: #41d9bd;font-weight: 600\" class=\"eltdf-btn eltdf-btn-medium eltdf-btn-simple eltdf-btn-custom-hover-color\" data-hover-color=\"#41d9bd\" >\n    <span class=\"eltdf-btn-background\" ><\/span>\n    <span class=\"eltdf-btn-text\">\n    \t<span class=\"eltdf-btn-text-plus\">\n    \t<svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" x=\"0px\" y=\"0px\"\nwidth=\"9.188px\" height=\"9.203px\" viewBox=\"0 0 9.188 9.203\" enable-background=\"new 0 0 9.188 9.203\" xml:space=\"preserve\">\n<line stroke=\"#000000\" stroke-miterlimit=\"10\" x1=\"4.609\" y1=\"0.125\" x2=\"4.609\" y2=\"9.125\"\/>\n<line stroke=\"#000000\" stroke-miterlimit=\"10\" x1=\"0.109\" y1=\"4.625\" x2=\"9.109\" y2=\"4.625\"\/>\n<\/svg>\n    <\/span>LEER M\u00c1S<\/span>\n    <\/a>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]La companyia madrilenya recupera al Tantarantana &#8216;El contrato&#8217;, l&#8217;obra que Carmen Resino mai no va poder publicar. Jasica i Nora s\u00f3n dues dones que comparteixen apartament i una relaci\u00f3 no definida. Despr\u00e9s de molt temps, ha arribat el moment de\u00a0fer [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[115],"tags":[],"_links":{"self":[{"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/posts\/4352"}],"collection":[{"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/comments?post=4352"}],"version-history":[{"count":8,"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/posts\/4352\/revisions"}],"predecessor-version":[{"id":4908,"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/posts\/4352\/revisions\/4908"}],"wp:attachment":[{"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/media?parent=4352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/categories?post=4352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/tags?post=4352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}