{"id":4742,"date":"2019-11-23T20:05:41","date_gmt":"2019-11-23T20:05:41","guid":{"rendered":"https:\/\/soniaperezolmedillo.com\/?p=4742"},"modified":"2026-07-04T22:41:03","modified_gmt":"2026-07-04T22:41:03","slug":"el-contrato-en-somnis-de-teatre","status":"publish","type":"post","link":"https:\/\/soniaperezolmedillo.com\/index.php\/2019\/11\/23\/el-contrato-en-somnis-de-teatre\/","title":{"rendered":"El Contrato en SOMNIS DE TEATRE"},"content":{"rendered":"<p>[vc_row][vc_column][vc_column_text]<strong>Gema Moraleda. SOMNIS DE TEATRE.<\/strong>[\/vc_column_text][vc_empty_space][vc_column_text]El montaje, dirigido por\u00a0Mar\u00eda San Miguel, es visualmente interesante.\u00a0San Miguel\u00a0logra aterrizar en el espacio un texto marcadamente metaf\u00f3rico, y lo hace con la ayuda de un par de sillas, unas proyecciones y el minucioso trabajo interpretativo de\u00a0Alba Mu\u00f1oz\u00a0y\u00a0Sonia P\u00e9rez, lo mejor de la funci\u00f3n, dos actrices precisas, contenidas y con una presencia potente en escena, en un espacio como el\u00a0\u00c0tic 22, que no deja espacio para el artificio.<br \/>\n[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column]<a itemprop=\"url\" href=\"http:\/\/somnisdeteatre.com\/el-contrato\/\" target=\"_blank\" style=\"color: #41d9bd;font-weight: 600\" class=\"eltdf-btn eltdf-btn-medium eltdf-btn-simple eltdf-btn-custom-hover-color\" data-hover-color=\"#41d9bd\" >\n    <span class=\"eltdf-btn-background\" ><\/span>\n    <span class=\"eltdf-btn-text\">\n    \t<span class=\"eltdf-btn-text-plus\">\n    \t<svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" x=\"0px\" y=\"0px\"\nwidth=\"9.188px\" height=\"9.203px\" viewBox=\"0 0 9.188 9.203\" enable-background=\"new 0 0 9.188 9.203\" xml:space=\"preserve\">\n<line stroke=\"#000000\" stroke-miterlimit=\"10\" x1=\"4.609\" y1=\"0.125\" x2=\"4.609\" y2=\"9.125\"\/>\n<line stroke=\"#000000\" stroke-miterlimit=\"10\" x1=\"0.109\" y1=\"4.625\" x2=\"9.109\" y2=\"4.625\"\/>\n<\/svg>\n    <\/span>LEER M\u00c1S<\/span>\n    <\/a>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Gema Moraleda. SOMNIS DE TEATRE.[\/vc_column_text][vc_empty_space][vc_column_text]El montaje, dirigido por\u00a0Mar\u00eda San Miguel, es visualmente interesante.\u00a0San Miguel\u00a0logra aterrizar en el espacio un texto marcadamente metaf\u00f3rico, y lo hace con la ayuda de un par de sillas, unas proyecciones y el minucioso trabajo interpretativo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[258],"tags":[],"_links":{"self":[{"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/posts\/4742"}],"collection":[{"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/comments?post=4742"}],"version-history":[{"count":1,"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/posts\/4742\/revisions"}],"predecessor-version":[{"id":4743,"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/posts\/4742\/revisions\/4743"}],"wp:attachment":[{"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/media?parent=4742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/categories?post=4742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soniaperezolmedillo.com\/index.php\/wp-json\/wp\/v2\/tags?post=4742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}